Butterfly Clover

Three Daisy Jazz

During the month of November, stop by Wug Laku’s Studio and Garage to see, Nerve, a collection of some of the gallery owner’s personal work.  His drawings and paintings are worth an extra trip downtown when his gallery is not crowded with people and conversations, but if one only has time to view them during a First Friday, stop by the opening on November 6th.

The drawings and paintings deserve more than a cursory glance.  Do not pass them by as minimalist renderings of form, but envision the works as simplified mirrors reflecting both physical and metaphysical thoughts. Open and honest communication is at their core. Parallel to his work, his artist statement is a simple poem that opens Laku up to the viewer and leaves room for abstract ideas to breathe.

In the gallery’s main area, he has work from 1993, inspired by a county road north of Zionsville, IN (and a Burger King cup).  Within this group, he juxtaposes negative/positive space, layered paint, planes of solid color, and value transitions.  One can see a simplification of nature–very direct, concrete but beautiful in Butterfly Clover.  This piece has three sections.  1) The background is a completely smooth green color. 2) The butterfly is a simple triangle that contains a slight amount of brush strokes.  3) The purple clover is the focal point.  Here alone, the color changes in value and the strokes are free and visible.  This group is connected to his later work (mostly from 2001) that is found in the red room through the conscious simplifying of nature.

The later work refines the simplification. The work’s referent is less obvious, but not less important. The color palette and texture of the images are limited, yet they are not minimal–only simplified. Three Daisy Jazz (located in the red room) represents the continuity, journey, and conversational quality of the entire show.  This medium-sized painting shows process with its un-erased graphite lines, leftover tape, straight and jagged edges, and additive pieces.

Based on my visits to Laku’s gallery over the past year, he appears to enjoy displaying multiple stages of an artist’s work. This both contrasts and unites one body of work to another to showcase the development that defines an artist’s style. Laku continues this practice with two prior bodies of his own work.

While you are viewing Nerve, be sure to check out Nancy Lee’s beautifully designed metal jewelry.

A small disclaimer: Laku has represented my work at his gallery, so I am not a complete stranger to him.

The Harrison Center for the Arts is having its annual color-themed holiday show, this Friday, 6 to 10pm. This year’s show is brown, so you know that I would want to participate. Gone to Pieces, (titled Eggshell in the Portfolio) has been selected for inclusion in Brown Paper Packages Tied Up With String . The Harrison Gallery boasts monthly show focusing primarily on Indianapolis artists. The gallery provides an entertaining atmosphere that is welcoming to the seasoned gallery hopper and the novice alike.

Brown Paper Packages Tied Up With String opens this Friday, December 5 and runs through December 27. The show opening corresponds with the Harrison Center’s First Friday artist reception and open studio night and with IDADA’s First Friday Gallery Tour.

The Harrison Art Gallery
1505 North Delaware
Indianapolis, IN 46202
317.238-0998
December 5, 6 to 10pm

If you are unable to view the gallery on the opening night, the gallery is open Monday-Friday 9-5pm and Saturday 12-4pm.

Kuaba Gallery
876 Massachusetts Avenue
Indianapolis IN 46204

VisualFringe has partnered with the Arts Council of Indianapolis and the Cultural Development Commission to support the Be Indypendent movement. Be Indypendent encourages people to support what is unique to Indianapolis, including local art.