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It  would have been a great night to start a fire and cuddle with my hubby, but instead we braved the slush and visited several galleries along IDADA’ s First Friday Gallery walk.   Before I go into detail about what I saw, I want to reflect on the similarities of the three shows that I saw this evening.  They all had layers of ideas and used a type of collage method.  They were all bodies of work that were abstract with identifiable realistic elements.  Two of the shows were more serious in nature.  One was in fun.  At least one had self-portrait elements.

We started out by visiting the Harrison Center for the Arts and seeing Elizabeth Guipe Hall’s exhibition entitled A Beautiful Mind.  Her show was based on the theme of the the brain and the mind.  She creates encaustic paintings with layers of wax, some translucent while others are opaque, and collage elements.  Examples of some of the layers in her paintings include the following: an underlying drawing, geometric spirals, ribbons of color, and more clean cut shapes that have a ’stenciled’ or ’stamped’ look.  Her paintings are designs that sometimes contrast exact geometric shapes and free imperfect forms with uneven edges.  Colors, such as red, orange, blue, and purple, are used purposefully, while an overall off-white layer gives the pieces an atmospheric translucent dimension.

The theme of the brain is expressed with images of the nervous system and branching patterns.  Titles, such as Long-term Memory, or Connecting, initiate thoughts inside the viewer of the functions of the brain and mind.

Right and Left Reacquainted by Hall

The opaque surfase of the encaustic reminded Stephen of Frosting.

Long Term Memory by Hall

Then we went down to Fountain Square to visit the AV Framing Gallery and view Strumpets and Squares, mixed media works by Jenny Elkins.   Her materials ranged from clippings, to photos, to buttons, to fabric and beyond.  It is a juxtaposition of design and humor. A strumpet is an archaic term for a loose woman, and a square is a slang term for a nerd.

After narrowly escaping being stuck in a parking lot in Fountain Square, we made our way to the Circle City Industrial Complex.  I saw the third collage exhibition of the night in Wug Laku’s Studio and Garage.  Undertow by Kate Oberreich was a series of collage paintings reminiscent of landscapes of the west Michigan shoreline.  Symbols of pebbles and homes were repeated in a few of the paintings.  She used a limited palate in many of the paintings and the shapes became important in her design.

Congratulations to the opening of Flame Art Studios! I stopped by and saw the new space that is occupied by the female flame artists: Nancy Lee, Jari Sheese, and Bonnie Ramirez. Along with displaying their beautiful works of art (that you can often wear!), they also offer classes and workshops in a variety of mediums such as metalsmithing, beading, jewelry, clay, enameling, lampworking, sculpture, and welding.

These images contain the multiple layers of sand, water, reflected light, shadow, and again … sand.

Images were originally taken in July 2009.

Don’t know what to get that special someone in your life? Have a difficult-to-buy for spouse? Give the unique gift of art or photography classes: either a single lesson or a package of them. You can buy art classes by the hour and then later schedule a convenient time to meet.

While you are at it, why not make it a special date? Past students have made my art classes part of a night for them and their significant other. You could make it an art themed date. After taking a class, visit a museum, photograph downtown, or paint “plein air” at a nature park.

Custom gift certificates designed by my husband are available for every occasion.

For more information, visit the Art Classes section of my website.

There is something beautiful about the process of forming of ideas, thoughts, and art.  At a gallery or museum one can sometimes see the development of a series by viewing its parts, but this process is still fairly opaque with only a showing of the final work. Thankfully artist blogs are full of studies showing their process.  Below I have a series of images showing a glimpse of my process as I created three of my recent butterfly paintings.

Inspiration in Munich

About a year ago, in the Alte Pinakothek, in Munich, Germany,I saw a series of paint sketches by Rubens.  They were quick unfinished swirls of color full of energy.  I began thinking about how some walk by the sketches and see nothing but mere studies, while others eagerly take in how they visually represent the artist working out issues of form and narrative.

Images of my process

Like so many things, my painting process changes. The process of how I paint is in constant transition and the next three in the series have been painted in a slightly different way, although the result will be similar.

Images of the stages of painting #4-6 of my Butterfly series:

In the Museum Boijmans Van Beuningen, the Rotterdam art museum, I saw many good works of art last fall including the interesting piece by René Magritte entitled La Reproduction Interdite.  In English, the title translates to “Not to be Reproduced.”  Magritte is one of the surrealist painters that I appreciate.  I am intrigued by the way in which he see the world and the interesting poetic nature to his work.  The book, in the painting, is in an accurate position  while the man remains the same.  The man remains anonymous, although the painting was painted as a portrait.

I remember more then one science video that I watched as a child having a scene where something that took months to occur would be shown in a minute’s time.  Technology allowed us to see changes that occurred slowly, quickly.  For example, a plant would grow out of the ground, bud, a flower would open up and die all in the same minute.  It was fascinating because it was something that one could not experience in nature.
How do my paintings treat speed?  Well, in Foreshadowing, paintings of flowers, time travels faster then the speed of nature.  In Patterns in Flight, butterfly wing paintings,  and in Action, Unification, paintings of joints of bones, I am slowing down time.  There are beautiful things that happen so fast that our naked eye can not capture them.  These objects have a rhythm that is too fast for us to normally comprehend.

I also try to take the stages, freeze them in time, and layer them.  We easily forget where we have been before.  One can see the different stages of the flower, butterfly wings, or joint of bones in the same painting.

The Mauritshuis museum in The Hague, Netherlands is designed with many protruding panels giving a room more wall space then it might otherwise have.  While walking around the museum, I looked with anticipation around each protruding panel for the works of art that would be displayed in these alcoves.  On one of the walls, I found The Goldfinch by Carel Fabritius.  This small, unassuming work would not usually catch my eye, however when I saw it there was a rush of recognition.  It was not the work itself that drew me to it, but the memories surrounding it.  I recognized having studied it in school and the loneliness of being in a foreign land melted away as I saw something that connected me to my life at home.
There is something so quiet about this painting, which was done in the last year of the young artist’s life.  There is a lightness of spirit, perhaps due to the bright simple background.

First Friday for May is quickly approaching and there are several places around town that my art work can be found.  I have one piece each in three group shows.

Wug Laku is hosting his retrospective show Eye Music in his gallery, Wug Laku’s Studio and Garage.  This show will include artists that have been featured in the gallery during the last two years.  You can see one of my first butterfly paintings in my upcoming series at this show.  I have included Wug’s poster promoting the event.

The official hours for this event are 6 – 9 p.m. on May 1 during the IDADA First Friday Gallery Tour. The following artists’ works will be on display: Bernadette Ostrozovich – Patrick Flaherty – Eric Jones – Rachel Steely -Mark Pack – Jim Gerard – Pam Fraizer – Nancy Lee – William Ray Denton – James Ratliff – Wug Laku. This gallery is located just above Massachusetts Avenue at 1125 Brookside Avenue C7.

Also, I will be showing one of my studies of Asian Lilie’s, Three Stages, in the Athenaeum ArtSpace’s “Spring” exhibit.  The Athenaeum ArtSpace is located in downtown Indianapolis on 401 East Michigan St, 2nd floor.

The Yarn Burners are “bombing” the Harrison Center for the Arts with knit graffiti on May 1,2009.  I look at my piece as a type of art instillation that I made out of yarn for one of the stairwell railings.

April 3, 2009 – Part III:  Harrison Center for the Arts

Time was running short and I went to the Harrison Center for the Arts as my last stop in the First Friday Hop.  Here I met up with fellow Yarn Burners to play Bingo and create a square for our group project.  Then I hurried up to see the show in the gallery.

Susan Hodgin has her new work entitled “Cairns”  in the Harrison Center Gallery.  I began and completed the night with artwork that progressed through careful exploration of ideas.  Susan Hodgin’s paintings are created with oil paint and charcoal.  Sometimes the charcoal showed through layers of paint, and at other times, the charcoal was applied on top of the paint.  There are many layers in the paintings, and one can see a swirl pattern of uplifted surface that lies underneath the paint and charcoal.  The oil paint is unmixed and yet this variant of color and tone is not used to increase a three dimensional look of the painting, but rather emphasizes the graphic quality and two-dimensional nature of the painting.  Susan uses geometric shapes, but instead of the shapes appearing mechanical, they appear organic.  Most of the backgrounds, although they have color and light fading softly in and out, are somewhat flat, which counterparts nicely with the foreground.  Helium, on the other hand, is a painting that jumped out to me because the background seems more alive with light.  The background of Helium interacts more completely with the foreground “circles” of color.  It is a pleasing body of work.

April 3, 2009 -Part II:  Mass Ave

I continued the First Friday art hop by traveling down Mass Ave to the McFee Gallery and Studio.  The main artist shown this month is Kelly Gentry.  Her work falls easy on the eye.  There seems to be three related series of works.  One has a silhouette of a single person, usually walking away from the viewer, holding a colorful umbrella.  The backgrounds of these paintings are mostly blotches of bright colored paint creating the look of a mist.  The paintings would  seem lonely, perhaps, if not for the brightness of the background.  Something draws me whimsically toward these.  The second series has a similar misty background with calligraphic lines of thick acrylic paint on top.  The third is a series of tree silhouettes on colorful skies.  The trees are simple with enough branches to be used as design elements.
Art Bank.  My first venture into the Art Bank brought me in contact with a melding of different styles and types of art.  Gina Soo Golden’s realistic figurative work (paintings that also seem to have feeling and purpose) shares a room with Dale Kercheud’s post-impressionist type paintings.  Rosanna Hall’s realistic landscapes are around the bend from a simplified abstract landscape by Steve Woerner.